Tag Archives: Time Out Beirut

Yann Tiersen!

Bah! I love my job!! About three weeks ago, my boss called me to ask if I could conduct a phone interview in French. I said yes, to which she replied, “Wonderful! I just gave Yann Tiersen your cell phone number. He’ll be calling you at 7pm.”

Me – In my head: WHAT?!? Yann Tiersen?? The Yann Tiersen?? Who composed the music for Amelie and Goodbye Lenin?? The Yann Tiersen who’s music I used to listen to to keep my mood up when I was studying for exams in university? The Yann Tiersen who’s music I play whenever I move into a new apartment, because it fills up every corner with this warm, wonderful feeling??

Me – Out loud: Oh, wow! Great! I’ll write up some questions while I’m waiting for his call and email you a transcript of the interview tomorrow.

Me – In my head after hanging up the phone: EEEEEEEEEEEEEEEEEEEEEEEEEE!

I rushed home, typed up some interview questions and sat nervously on my bed (which doubles as my desk) waiting for the phone to ring. He called at 7:22pm and I swear, those were 22 of the longest minutes…

And then, my ringtone started to play, my stomach did a somersault and I started sweating profusely.

“Allo? C’est Yann Tiersen.”

And then I said something along the lines of “Gobbedly gobbeldy goo..” feigned a bad connection and somehow got my brain working again.

In the end, it turned out that Yann Tiersen is actually a really nice, down to earth guy, and the rest of the interview ended up going really well. He was patient with me, friendly and gave thorough answers to my questions. I felt like a real journalist for the first time – such a rush!! Success!!

So here you go! The un-cut version of my first feature article in Time Out Beirut!


Yann+Tiersen“Music and life are the same…I’m always thinking about music.” Words spoken by a man who has clearly found his calling in life, French musician and composer, Yann Tiersen, who will be performing at the Forum de Beirut on November 12.  Tiersen was propelled into the international spotlight after the success of the film, Le Fabuleux Destin d’Amélie Poulain, for which he composed the award winning score. But as any devoted Tiersen fan will tell you, the 39-year old musician’s work extends long before and far beyond Amélie.

Born in the city of Brest and raised in the nearby city of Rennes in Brittany, France, Tiersen began to study piano and violin at the age of 12, discovering his passion for music early in life. During our interview he revealed, “I always knew I wanted to be a composer – since I was a young child. I love music.”  Tiersen would go on to receive formal music training, but as a free spirit who could not be contained by the restrictions of classical protocol, he made the sharp turn from classic to rock.  Jamming with several different rock bands in the 1980s, he began to develop a style of music all his own.

CON-20051228143402-SIn 1995, at the age of 25, he released his first album, La Valse de Monstres (The Monsters’ Waltz), a compilation of music he had composed for two French plays, Le Tambourin de Soie (The Silk Tambourine) and Freaks. The minimalist, instrumental music showcased influences of classical compositions, the old French crooners of the 1950s, and Tiersen’s beloved rock.

underwood5smallIn addition, true to the composer’s now trademark style, the album featured the beautifully bizarre combination of such varied instruments as the violin, piano, accordion, toy piano, melodica, and xylophone.  Tiersen explains, “I really love working with sound…looking for things to use and instruments that aren’t really traditional.” Obviously not one to be limited by the conventional, the ever-curious Tiersen has continuously experimented with different melodic tools, utilizing the noises produced by things as abstract as typewriters and bicycle wheels in his compositions.

goodbyeLeninDomestic fame came in 1998, with the release of his third album, Le Phare. A few years later, this eccentric, suddenly in-demand musician was graced with the international praise he had long deserved when his compositions for Amélie (2001) and the German film Goodbye Lenin! (2003) surprised and impressed the world.

amelieComposing a score for a film tends to be different than composing for an album, but not for Tiersen. Whereas many composers take their inspirational cues from the visual rhythm of the film and the style of editing, or try to synchronize their music with actions and dialogue, Tiersen takes a different approach: “I don’t work with the images. I don’t look at them while I compose.”  While this may be an unconventional modus operandi, you can’t argue with success. He was given the French national film award, the César, in 2002 for Best Music Written for a Film, for his score in Amélie.

Although he enjoys composing for films, and cannot deny the international success such work has brought him, Tiersen professed that he prefers composing independently, “There’s more freedom. When you’re working on the score for a film there are limitations and obligations.  You have to have a certain result by a certain time…it’s a bit stressful. I prefer to compose on my own time, when inspiration comes.”

When it comes to composing his music, to finding that inspiration, Tiersen likes to be alone – “I have a house on a small island west of Brittany and I have less pressure there. I can just work.” He adds laughing, “And if I don’t find any ideas there, I go into town to the bar for awhile.”  This gifted composer seems to live and breathe the music he writes, issuing the impassioned statement, “When you are a musician you can enjoy life and life can be material for your inspiration. I’m always thinking about music. It’s always with you.  When I compose, I think about life, and when I’m not working, I’m thinking about music.”

yann_tiersen_11And now, Yann Tiersen will be gracing the stage in our beloved Beirut, performing songs from his yet to be released album, Dust Lane as well as compositions from his last studio album, Les Retrouvailles (2005). Dust Lane, an album that his fans are anticipating with baited breath, is the combined effort of French indie/pop-rock musician Syd Matters, British dark-folk artist Matt Elliott, and Orka, a musical group hailing from the Faroe Islands. Tiersen is enjoying his current tour and is looking forward to his visit here, stating, “I’m happy to being going back to Beirut – it’s a beautiful city.” Well, Mr. Tiersen, ahlan wa sahlan! We’re thrilled to have you!


Broccoli and Beers

Today, it was 31 degrees Celsius, 86 Fahrenheit – HOT and HUMID.  But whatever, I’m in a good mood! It’s Friday! My internship with ‘Time Out Beirut’ is going really well and I may have found a new apartment (they’re tearing down our beautiful building to build a parking lot – sucks.).

Beirut I Love YouRight now, I’m reading this book called ‘Beirut, I Love You,’ by the Lebanese writer Zeina el Khalil. It’s a memoir, written about her time in Beirut – friends, family, war, cultural trends, food, sex, love, etc. It’s a very quick read, but it’s well written and doubly entertaining given that I’m actually living in the city that she’s describing.  It’s like reading ‘The Unbearable Lightness of Being’ in Prague, or ‘Like Water for Chocolate’ in Mexico – it somehow makes a brilliant book even better.  Anyway, I brought the book up because as I melted on my walk over to Café Younes today, I laughed to myself as I thought about a line from the book – “Arabian afternoons are like chocolate ice cream stains on the corner of your mouth. They are sweet and sticky.” So true! Although, I have to admit, chocolate ice cream smells a lot better than BO…

I spent a relaxed afternoon at Younes today writing and researching for Time Out, and just when I was beginning to crave good company and conversation Rianne showed up, followed soon after by Farah.  Michael joined us a bit later, Tara stopped by to say hello. I know that Hamra is a small neighborhood, and I know that after some time my opinion of it may change, but for now the small size doesn’t feel claustrophobic at all – just cozy, familiar and homey.  I love that everywhere I go now I run into people I know. Plus, I’m constantly meeting new people – the friend you ran into randomly at Younes introduces you to an acquaintance of theirs, who you randomly bump into at Ta Marbuta, where he or she introduces you to someone else new. Everyone here is just so friendly and open, and I love them for that.

Working with Rianne and Michael at Younes

Working with Rianne and Michael at Younes

Around 6pm, hungry and ready for a change of scenery, Farah and I headed back to the apartment to cook ourselves some dinner. I always know it’s time to go grocery shopping when the only thing I have left in the house is broccoli….yeah, it’s time to go grocery shopping. So while Farah got dressed to meet her dad, who flew in tonight, I boiled up some broccoli and heated up some Maklouta, a kind of mixed bean stew.

Farah and I!

Farah and I!


Albert Broccoli

Albert Broccoli

As I stood over the steamy stove top, waiting for my watch pot to boil and wishing for a fan, I started laughing to myself. About a year ago I had a random conversation with a friend about Albert Broccoli, the producer of the original James Bond films. At the 1981 Oscars, Roger Moore presented Broccoli with the Irving G. Thalberg award (given to creative producers), and commented that Broccoli’s Italian grandfather had introduced the vegetable to America when he immigrated to the States in the early 1800s. I don’t know if it’s true, but the conversation was a crack up and now every time I boil broccoli I can’t help but smile 🙂 Nerdy, and admittedly a little weird, but if it makes you happy, it can’t be all that bad.

Fausto and Rianne

Fausto and Rianne

After dinner, I chatted with Cagil, read for a bit and then made plans to meet up with Rianne and some of her friends at Dany’s for some beers. Rianne and her friend Fausto had just been to an Arab Tango show at a theater on Rue Hamra. It sounded fantastic – I’ll have to see if I can get tickets for next weekend…

In case you hadn't noticed that the wall moved...

In case you hadn't noticed that the wall moved...

I really love Dany’s. My friend Ali is a DJ there and he introduced me to the bar a few weeks ago. It’s cozy and small – actually used to be a lot smaller – about a month ago they broke down one of the walls and added an extra room to the bar. Dany’s is a meeting place for the young, liberal, intellectual crowd in Beirut, and it has a devoted group of regulars. The walls are covered with writing and doodles, there are rotating DJs, so the music is constantly changing, tasty food, cheap beers and plenty of good company. A really chill place and always a good time.

Fausto, Rianne, me and Leila at Dany's

Fausto, Rianne, me and Leila at Dany's

Chatting with Leila

Chatting with Leila

Later in the evening we were joined by my flatmates Michael and Nadim, Rianne’s friend Leila, Nadim’s friend Jenny, Ali stopped in for a bit – it was a great mix of people and a fantastic night, complete with a grilled ham, cheese and tomato sandwich (yes, they have food at Dany’s – I need nothing more from a bar ;)). I love what an international bunch we are too – I’m Lebanese/Irish American, Rianne is Dutch, Fausto is Indian/Italian, Leila is Iranian American, Michael is Lebanese/Palestinian Dutch, Nadim is Lebanese but grew up in the UAE. Everyone speaks a mix of languages and has traveled to so many interesting places. Ah! So amazing!! We all chatted, laughed, danced, snacked on chick peas and olives, and sipped Almazas till 3:30am when I finally had to turn in for the night. Life is gooooood!

And one last photo from tonight, just to make you smile:

Jenny and her amazing shirt!

Jenny and her amazing shirt! I instantly loved this girl!