Tag Archives: Music

Yann Tiersen!

Bah! I love my job!! About three weeks ago, my boss called me to ask if I could conduct a phone interview in French. I said yes, to which she replied, “Wonderful! I just gave Yann Tiersen your cell phone number. He’ll be calling you at 7pm.”

Me – In my head: WHAT?!? Yann Tiersen?? The Yann Tiersen?? Who composed the music for Amelie and Goodbye Lenin?? The Yann Tiersen who’s music I used to listen to to keep my mood up when I was studying for exams in university? The Yann Tiersen who’s music I play whenever I move into a new apartment, because it fills up every corner with this warm, wonderful feeling??

Me – Out loud: Oh, wow! Great! I’ll write up some questions while I’m waiting for his call and email you a transcript of the interview tomorrow.

Me – In my head after hanging up the phone: EEEEEEEEEEEEEEEEEEEEEEEEEE!

I rushed home, typed up some interview questions and sat nervously on my bed (which doubles as my desk) waiting for the phone to ring. He called at 7:22pm and I swear, those were 22 of the longest minutes…

And then, my ringtone started to play, my stomach did a somersault and I started sweating profusely.

“Allo? C’est Yann Tiersen.”

And then I said something along the lines of “Gobbedly gobbeldy goo..” feigned a bad connection and somehow got my brain working again.

In the end, it turned out that Yann Tiersen is actually a really nice, down to earth guy, and the rest of the interview ended up going really well. He was patient with me, friendly and gave thorough answers to my questions. I felt like a real journalist for the first time – such a rush!! Success!!

So here you go! The un-cut version of my first feature article in Time Out Beirut!

YANN TIERSEN

Yann+Tiersen“Music and life are the same…I’m always thinking about music.” Words spoken by a man who has clearly found his calling in life, French musician and composer, Yann Tiersen, who will be performing at the Forum de Beirut on November 12.  Tiersen was propelled into the international spotlight after the success of the film, Le Fabuleux Destin d’Amélie Poulain, for which he composed the award winning score. But as any devoted Tiersen fan will tell you, the 39-year old musician’s work extends long before and far beyond Amélie.

Born in the city of Brest and raised in the nearby city of Rennes in Brittany, France, Tiersen began to study piano and violin at the age of 12, discovering his passion for music early in life. During our interview he revealed, “I always knew I wanted to be a composer – since I was a young child. I love music.”  Tiersen would go on to receive formal music training, but as a free spirit who could not be contained by the restrictions of classical protocol, he made the sharp turn from classic to rock.  Jamming with several different rock bands in the 1980s, he began to develop a style of music all his own.

CON-20051228143402-SIn 1995, at the age of 25, he released his first album, La Valse de Monstres (The Monsters’ Waltz), a compilation of music he had composed for two French plays, Le Tambourin de Soie (The Silk Tambourine) and Freaks. The minimalist, instrumental music showcased influences of classical compositions, the old French crooners of the 1950s, and Tiersen’s beloved rock.

underwood5smallIn addition, true to the composer’s now trademark style, the album featured the beautifully bizarre combination of such varied instruments as the violin, piano, accordion, toy piano, melodica, and xylophone.  Tiersen explains, “I really love working with sound…looking for things to use and instruments that aren’t really traditional.” Obviously not one to be limited by the conventional, the ever-curious Tiersen has continuously experimented with different melodic tools, utilizing the noises produced by things as abstract as typewriters and bicycle wheels in his compositions.

goodbyeLeninDomestic fame came in 1998, with the release of his third album, Le Phare. A few years later, this eccentric, suddenly in-demand musician was graced with the international praise he had long deserved when his compositions for Amélie (2001) and the German film Goodbye Lenin! (2003) surprised and impressed the world.

amelieComposing a score for a film tends to be different than composing for an album, but not for Tiersen. Whereas many composers take their inspirational cues from the visual rhythm of the film and the style of editing, or try to synchronize their music with actions and dialogue, Tiersen takes a different approach: “I don’t work with the images. I don’t look at them while I compose.”  While this may be an unconventional modus operandi, you can’t argue with success. He was given the French national film award, the César, in 2002 for Best Music Written for a Film, for his score in Amélie.

Although he enjoys composing for films, and cannot deny the international success such work has brought him, Tiersen professed that he prefers composing independently, “There’s more freedom. When you’re working on the score for a film there are limitations and obligations.  You have to have a certain result by a certain time…it’s a bit stressful. I prefer to compose on my own time, when inspiration comes.”

When it comes to composing his music, to finding that inspiration, Tiersen likes to be alone – “I have a house on a small island west of Brittany and I have less pressure there. I can just work.” He adds laughing, “And if I don’t find any ideas there, I go into town to the bar for awhile.”  This gifted composer seems to live and breathe the music he writes, issuing the impassioned statement, “When you are a musician you can enjoy life and life can be material for your inspiration. I’m always thinking about music. It’s always with you.  When I compose, I think about life, and when I’m not working, I’m thinking about music.”

yann_tiersen_11And now, Yann Tiersen will be gracing the stage in our beloved Beirut, performing songs from his yet to be released album, Dust Lane as well as compositions from his last studio album, Les Retrouvailles (2005). Dust Lane, an album that his fans are anticipating with baited breath, is the combined effort of French indie/pop-rock musician Syd Matters, British dark-folk artist Matt Elliott, and Orka, a musical group hailing from the Faroe Islands. Tiersen is enjoying his current tour and is looking forward to his visit here, stating, “I’m happy to being going back to Beirut – it’s a beautiful city.” Well, Mr. Tiersen, ahlan wa sahlan! We’re thrilled to have you!

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I’m baaaack!

Ha! I’m alive again my friends! Yesterday was my first Friday night out in 3 weeks! I have beaten the flu, finally eradicated all signs of food poisoning from my system and slept off the insane post-sickness fatigue inspired by both. Now to make up for lost time!

Charles!

Charles!

20081113_napoletana-logoYesterday, I began the night by having a pizza dinner with Charles at Napoletana, an Italian chain restaurant here in Beirut. Granted, by Lebanese standards, it’s a little overpriced  – for a pizza and a beer you’ll end up dropping about $16 – but the atmosphere is nice and the vegetarian pizza is pretty damn good. No, I’m not a vegetarian, have no fear. I just like kteer khudra (lots o’ veggies) on my pizza. Plus, the branch we went to is on Hamra street – the main street running though the neighborhood of Hamra (university district here in Beirut) – so there’s always plenty of quality people-watching to be enjoyed. Around 10pm, happy and full for the first time in weeks and with plans to meet up with Charles again in a few hours time, I walked home with my two leftover slices of pizza sliding around in an oversized take-away box.

Charles called at midnight just as I was being pulled into the death grip of that hazy, sleepy state of mind that sucks you into your bed, preventing you from enjoying all the night has to offer.  But somehow I rallied, chugged a red bull (shukrun Charles!) and met Charles at Walimat Wardeh, a fantastic restaurant/bar in Hamra that I have come to know and love.

Walimat Wardeh! (Written in Arabic, in case you hadn't already guessed)

Walimat Wardeh! (Written in Arabic, in case you hadn't already guessed)

Walimat Wardeh, also known simply as ‘Walimat’ or ‘Wardeh,’ has been around for 14 years now, which is really saying something in Beirut where stores, bars and restaurants seem to appear and disappear on a regular basis. It was opened by a man named Wardeh Hawaz in 1995, on the ground floor of a charming house on Makdissi Street.

The amazing thing about this place is that it really feels like someone’s home. Someone’s beautiful home. There are stained glass windows and eye-catching tile floors that change patterns as you go from room to room.  During the day, it’s a cozy place to go for a hot meal and free internet, and at night it explodes with character and energy as intellectuals mix with a trendy young crowd, drinking and listening to a fun mix of music.

Charles, trying to decipher the Arabic menu during lunch at Walimat, on a different day

Charles, trying to decipher the Arabic menu during lunch at Walimat, on a different day

The restaurant serves delicious, home-cooked, traditional Lebanese meals that awaken memories of your grandmother’s cooking. Well, if you’re lucky enough to have a Lebanese Tita (grandmother) 😉 YUM! I love you, Tita! The menu is handwritten on blackboards in English and Arabic, changes regularly and is reasonably priced.  For 10,000 Lira (about $6.50) you can get a main course meal that will fill you right up and leave you beaming.

Charles and I came at night though, when the music was pumping and overflow guests were pouring out onto the sidewalk.  We managed to squeeze our way through the crowds, bought some drinks and found standing room near the band that was performing that night.  The band was called Ziad Sahab & Chahadin ya baladna‘ and their music was fantastic. They actually play at Walimat every Friday.  I should become a groupie! I only wish I’d known about them before I came – I would have bought a CD and memorized all the lyrics. As I was, I was kind of out of place given that everyone else in the place seemed to know all their songs by heart. They play fantastic Arabic music and everyone in Walimat was bouncing, dancing and singing along. Ah! It was such a great night!

Chahadin ya Baladna - L-R: Ahmad Khateeb, Bashar Farran, Ziyad and Ghassan Sahhab

Chahadin ya Baladna - L-R: Ahmad Khateeb, Bashar Farran, Ziyad and Ghassan Sahhab

Once the concert finished, Charles and I headed over to Dany’s for some more drinks and quality conversation. Ali was DJ-ing, which is always a treat because he has fantastic taste in music. So Charles and I chilled, listened to the Doors and the Clash and talked about everything from Beirut, to politics, to movies and music, to friends and the good times we had in Cyprus.

May and Michael

May and Michael

Around 2am, craving a change of pace, we headed over to the apartment of May and Alexa, two other ex-pats interning this summer at the Daily Star, Lebanon’s main English newspaper. My flat-mate Michael was there as well and the four of us chatted, listened to music and drank wine straight from the bottle until 4:30am when we really couldn’t keep our eyes open any longer.  The morning call to prayer from a nearby mosque kept me company on my walk home and as I crawled into bed (after wolfing down my left-over pizza – yesssss!) I was grinning from ear to ear. Hey, Beirut! I’m baaaack!