Bah! I love my job!! About three weeks ago, my boss called me to ask if I could conduct a phone interview in French. I said yes, to which she replied, “Wonderful! I just gave Yann Tiersen your cell phone number. He’ll be calling you at 7pm.”
Me – In my head: WHAT?!? Yann Tiersen?? The Yann Tiersen?? Who composed the music for Amelie and Goodbye Lenin?? The Yann Tiersen who’s music I used to listen to to keep my mood up when I was studying for exams in university? The Yann Tiersen who’s music I play whenever I move into a new apartment, because it fills up every corner with this warm, wonderful feeling?? The Yann Tiersen who I’m obviously sort of obsessed with???
Me – Out loud: Oh, wow! Great! I’ll write up some questions while I’m waiting for his call and email you a transcript of the interview tomorrow.
Me – In my head after hanging up the phone: EEEEEEEEEEEEEEEEEEEEEEEEEE!
I rushed home, typed up some interview questions and sat nervously on my bed (which doubles as my desk) waiting for the phone to ring. He called at 7:22pm and I swear, those were 22 of the longest minutes…
And then, my ringtone started to play, my stomach did a somersault and I started sweating profusely.
“Allo? C’est Yann Tiersen.”
And then I said something along the lines of “Gobbedly gobbeldy goo..” feigned a bad connection and somehow got my brain working again.
In the end, it turned out that Yann Tiersen is actually a really nice, down to earth guy, and the rest of the interview ended up going really well. He was patient with me, friendly and gave thorough answers to my questions. I felt like a real journalist for the first time – such a rush!! Success!!
So here you go! The un-cut version of my first feature article in Time Out Beirut!
YANN TIERSEN
“Music and life are the same…I’m always thinking about music.” Words spoken by a man who has clearly found his calling in life, French musician and composer, Yann Tiersen, who will be performing at the Forum de Beirut on November 12. Tiersen was propelled into the international spotlight after the success of the film, Le Fabuleux Destin d’Amélie Poulain, for which he composed the award winning score. But as any devoted Tiersen fan will tell you, the 39-year old musician’s work extends long before and far beyond Amélie.
Born in the city of Brest and raised in the nearby city of Rennes in Brittany, France, Tiersen began to study piano and violin at the age of 12, discovering his passion for music early in life. During our interview he revealed, “I always knew I wanted to be a composer – since I was a young child. I love music!” Tiersen would go on to receive formal music training, but a free spirit who could not be contained by the restrictions of classical protocol, he made the sharp turn from classic to rock. Jamming with several different rock bands in the 1980s, he began to develop a style of music all his own.
In 1995, at the age of 25, he released his first album, La Valse de Monstres (The Monsters’ Waltz), a compilation of music he had composed for two French plays, Le Tambourin de Soie (The Silk Tambourine) and Freaks. The minimalist, instrumental music showcased influences of classical compositions, the old French crooners of the 1950s, and Tiersen’s beloved rock.
In addition, true to the composer’s now trademark style, the album featured the beautifully bizarre combination of such varied instruments as the violin, piano, accordion, toy piano, melodica, and xylophone. Tiersen explains, “I really love working with sound…looking for things to use and instruments that aren’t really traditional.” Obviously not one to be limited by the conventional, the ever-curious Tiersen has continuously experimented with different melodic tools, utilizing the noises produced by things as abstract as typewriters and bicycle wheels in his compositions.
Domestic fame came in 1998, with the release of his third album, Le Phare, and then this eccentric, suddenly in-demand musician was graced with the international praise he had long deserved when his compositions for Amélie (2001) and the German film Goodbye Lenin! (2003) surprised and impressed the world.
Composing a score for a film tends to be different than composing for an album, but not for Tiersen. Whereas many composers take their inspirational cues from the visual rhythm of the film and the style of editing, or try to synchronize their music with actions and dialogue, Tiersen takes a different approach: “I don’t work with the images. I don’t look at them while I compose.” And while this may be an unconventional modus operandi, you can’t argue with success. He was given the French national film award, the César, in 2002 for Best Music Written for a Film, for his score in Amélie.
While he enjoys composing for films, and cannot deny the international success it has brought him, Tiersen prefers composing independently, professing, “There’s more freedom. When you’re working on the score for a film there are limitations and obligations. You have to have a certain result by a certain time…it’s a bit stressful. I prefer to compose on my own time, when inspiration comes.”
When it comes to composing his music, to finding that inspiration, Tiersen likes to be alone – “I have a house on a small island west of Brittany and I have less pressure there. I can just work.” He adds laughing, “And if I don’t find any ideas there, I go into town to the bar for awhile.” This gifted composer seems to live and breathe the music he writes, issuing the impassioned statement, “When you are a musician you can enjoy life and life can be material for your inspiration. I’m always thinking about music. It’s always with you. When I compose, I think about life, and when I’m not working, I’m thinking about music.”
And now, Yann Tiersen will be gracing the stage in our beloved Beirut, performing songs from his yet to be released album, Dust Lane as well as compositions from his last studio album, Les Retrouvailles (2005). Dust Lane, an album that his fans are anticipating with baited breath, is the combined effort of French indie/pop-rock musician Syd Matters, British dark-folk artist Matt Elliott and Orka, a musical group hailing from the Faroe Islands. Tiersen is enjoying his current tour and is looking forward to his visit here, stating, “I’m happy to being going back to Beirut – it’s a beautiful city.” Well, Mr. Tiersen, we’re thrilled to have you!



















Two hours later, proud of the progress I’d made in class, I met Omar for a coffee at Costa where we he taught me how to text in Arabic. Despite the fact that all phones here have Arabic letters written alongside the English letters, everyone seems to text in the English, Latin-based alphabet, instead of using the Arabic alphabet – Arabic words written out phonetically with numbers substituting the sounds that don’t translate. For example, the ‘H’-ish sound in the word ‘rooH’ (to go), is texted as a ‘7’ – roo7. The guttural ‘aiyn’ sound, is texted as a ‘3,’ etc. It’s weird and complicated, but an essential thing to know in a world where texting is the standard way of communicating.
Well anyway, for now, with ‘champagne tastes on a diet coke budget’, I’m forced to settle for 5 dollar t-shirts and scruffy jeans, and admire from afar those with the means and fashion sense I lack. But one fashion statement I can afford is nail polish. And here in Beirut the latest craze is pink nails. Neon pink. What the what?? We’re talking, the ’80s are back’, ‘going to a rave under black lights’ neon NEON. Bizarre and gaudy at first glance, I’ll admit – but, with time, the look grows on you, I can’t lie. So today, I decided to give in and I bought a bottle. Gave myself a pedicure and now every time I look at my toes I smile. A cheap splash of a ridiculous trend has brightened my day. Nothing wrong with that!

























At 3am, with a good buzz going, we said goodbye to Salam and Ziena, and the remaining 6 of us squashed ourselves into the back of a taxi in search of the perfect place to finish off the night. We ended up at this swank beach-side club called Island, that’s part of the Riviera Hotel. Jeff got us in for free so woot! happy day! Chilled with drinks at the bar next to the pool, danced and laughed until around 5:30 am.



The Bekaa Valley isn’t actually a valley, which is kind of weird. It’s actually a plateau between two mountain ranges in Lebanon. The plateau is this huge agricultural region here in Lebanon – it used to be one the ‘bread baskets’ of Rome. Today it’s still one of Lebanon’s most important farming regions, and is famous for the delicious, locally produced wine.













I just spent the day in al-Quds (aka Jerusalem)! You know, the holy city for Muslims, Christians and Jews, one of the oldest cities in the world (dates from 4th century BCE), the city where Jesus was crucified, the city the Crusades were fought over…no big deal.










First full day in Ramallah! Okay, so for those of you who don’t know, Ramallah (which basically translates to ‘mountain of God’) is a city in the West Bank, populated by around 27,000 people.




